| In short, Antichrist is about a psychiatrist, played by Willem Dafoe, who
 decide to take his wife, played by Charlotte Gainsbourgh, to the one place
 she fears the most, to help her overcome the grief of their son's accidental
 death. That place is Eden Forrest, where they have a small cabin, where she
 once wrote a thesis about the persecution of witches in the middle ages.
 While trying to understand why such tragedy could happen to them, the couple
 opens their eyes to the possibility that the nature of the world is to be
 evil. And more so, that the nature of humans is evil. And without giving
 away too much, I can tell you that her thesis comes to play a major part in
 their discovering. And although this was the first screening of Antichrist
 ever, before any effects, before its initial editing was supposed to end,
 before any major sound-editing and so on, Lars von Trier's way of showing
 the evils of nature was extremely beautiful. Never has anything this
 gruesome been shown in such a poetic way. A beauty I haven't seen in a von
 Trier movie since his Europe trilogy. But the movie was also a
 tour-de-madman, into von Triers viewpoint on the human nature. Although the
 style was very atypical of late von Trier and very atypical of early von
 Trier, it sort of mixed the two von Triers, and everything on screen
 SCREAMED von Trier. Already in the six minute opening sequence of the movie,
 which was filmed with a high speed camera and shown in super slow motion,
 black and white images, to opera music, the movie denied itself of any
 chances of getting an MPAA rating less than NC-17.
 
 Initially being just another movie about someone going to a cabin far from
 civilization and then coming in contact with something supernatural, Trier
 excels and makes it a beautifully poetic movie, with so much written between
 the lines that I am not going to pretend that I fully understood it all
 after this first viewing - much like the before-mentioned The Idiots.
 Luckily Antichrist also worked on its own terms as a horror movie, and while
 it didn't scare me as much as I hoped it would, it made me physically ill,
 due to gruesome content that borderlines gore, except it seems to artsy to
 be allowed such a label. But I mean gruesome!! Take Hostel and mix it with
 The Piano Teacher, and you're close to an idea of what you have in store.
 And I am positive that the final edit, and the special effects and sound
 departments will do the trick, and the fright-factor will be upped for the
 final cut. In all circumstances, this is a movie to look forward to, if only
 for the tour-de-madman into the fucked up mind of von Trier that will leave
 you shaking your head in disbelief of what you are witnessing - even if you're
 a LvT fan, who expects the unexpected.
 
 Antichrist is a brilliant mixture of the old Trier and the new Trier.
 Intensely beautiful pictures that speaks more than a thousand words, but
 also content and subtext that speak a million words of their own. I
 seriously doubt this film will make him a household name, but I have hopes
 that this will be one of his biggest hits. The gore alone will make it a hit
 with certain audiences, but still the story has so much depth and finesse,
 that it could be a contender for some major awards.
 
 Anyways, I can't wait to see it again.
 
 Happy new years from this anonymous Dane.
 
 
 
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